The VR post-scenography work ‘Virtual Projection Particles’ from the exhibition “Time of the Earth” at the National Museum of Modern and Contemporary Art offers a reinterpretation of ecological values. It expresses the exhibition's artworks and space through small virtual spherical particles, reinterpreting the ecological worldview via digital media. The terrain of the exhibition hall is meticulously 3D-scanned and produced as web-based VR content, allowing viewers to freely float and explore in a virtual space where gravity and boundaries no longer exist. In this work, the spatial distinctions between the museum, gallery, artwork, and audience disappear, creating a harmonious blend where all elements coexist equally.

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TechCapsule’s VR Post Scenography

In 2021, Tech Capsule documented three exhibitions held at the National Museum of Modern and Contemporary Art through 3D scanning and restructured them into web-based VR content. The project presents works that unfolded at different times, reintroducing them in a VR post-scenography where time and space intersect around the exhibition hall. At the time, as the COVID-19 pandemic expanded the use of online museums and VR exhibitions as alternatives to in-person visits, this project was produced to explore the potential of transforming these experiences into a new realm of exhibition archiving, rather than seeing them as temporary substitutes.

My Olympic Effect → Link
Young Korean Artists 2021 VR Exhibition → Link
Virtual Projected Particle → Link