The VR post-scenography work Virtual Projection Particles, created for the exhibition Time of the Earth at the National Museum of Modern and Contemporary Art, reinterprets ecological values through digital media. It represents the exhibition's artworks and space through small virtual spherical particles, offering a digital reinterpretation of an ecological worldview. The terrain of the exhibition hall was meticulously 3D scanned and reconstructed as web-based VR content, allowing viewers to float freely in a virtual space where gravity and boundaries no longer exist. Within this environment, spatial distinctions between the museum, gallery, artwork, and audience dissolve, and all elements blend together on equal terms.